Gabriela's fatal destiny

Gabriela is ambitious, thirsty for money, thirsty for life. She is a highly rated and well paid killer. She experienced poverty in Romania and now having moved to Naples she is redeeming her past with this profitable job.

Antonio is the client. But in addition to considering him a client, she would like to fuck him. She wants conquer him to also take over his assets. What she does not know is that Antonio, in addition to not wanting to be her, is not even willing to pay the commission.

He takes advantage of the intimacy and closeness between them, to make it easier to kill her and save himself his money. When Gabriela is on top of him, distracted and aroused by him, he plunges the knife into her side taking her completely by surprise.

But Gabriela is a killer, she's not stupid, she doesn't let herself get finished so easily. In a fit of violence she grabs a blunt object and slams it with all the force she has on Antonio's head, leaving him dying.

And not satisfied, she wants to satisfy her thirst for revenge by taking the decorative sword she has at home to finish the job. Killing him with a sword instead of bullets is much more exciting. Much more sadistic. But it's a mistake. Antonio is injured but alive and, pretending to be dead, he waits for her to come closer to play for his changes in her.

Gabriela is on top of him, she takes a few seconds to finish off the traitor; seconds that are fatal to her. Antonio takes the knife hidden behind his back and dips it for the second time into Gabriela's soft and abundant flesh. While she screams in surprise and pain he throws her onto the bed and takes the sword away from her.

Now he's on top of her, hurt and in pain, and he no longer has any obstacles. A sharp blow and the sword sinks into the chest of the woman who, in immense pain, remains killed on the bed. Now it's her turn, after killing so many people.

NOTICE: Photostory - 175 photos with story caption.

This set was shot with a fixed 50mm lens to highlight the details and the immense expressiveness of the actress.